![]() ![]() Once you start to adjust the sliders, you’ll quickly notice that as you get one part of the image looking good, other parts of the begin to look ridiculous. “Shine” governs the brightness of the light source and the amount of bounce off the paint’s surface. ![]() This is important, especially if you are incorporating the oil painting into another scene. ![]() “Angular Direction” affects the incidence angle of the light (not the brushstroke). ![]() “Bristle Detail” governs how much of a paintbrush-hair indentation is apparent, with 0 being soft and 10 leaving strong grooves. “Scale” affects the relief or apparent thickness of the paint, with 0 being a thin coat and 10 giving the you thick, luscious, van Gogh-style paint globs. “Cleanliness” is the length of the stroke, with 0 being the shortest and choppiest, and 10 being the longest and most fluid. “Stylization” ranges from a daubed look at 0 to smooth strokes at level 10. It’s right there at the top level of the Filter menu. This one isn’t hidden deep in some remote sub-menu. Many of the older texture filters simply don’t produce professional results, but this new one can create beautiful effects with just a little finessing. Adobe gave us a great new tool with the addition of the Oil Paint filter in CS6. ![]()
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